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Pat Bliggins approached the receptacle and deposited a prodigiously overgrown, forked, dusty carrot, miraculously endowed with powers of emotion, for several wrinkles beneath its green feathery top betrayed extreme agitation.,
“Jiminy whiz! Your royal splendor dazzles me!” Billy chaffed.,
“Wisht that orful pitcher ’d fall inter the swill-pail an’ then turn a somerset in the soot-pile,” murmured the boy as he noticed the care exercised over its safety.,
A period of silence followed excepting for the slight sounds made by the workers, the drowsy humming of flies, the murmur of an occasional bee and the faint rustlings of the tall stalks of corn.
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Through the open door could be heard the strains of “Pull for the shore” sung with heart and soul by the intermediate class, and to that lively air Moses made for the exit as expeditiously as his sodden garments would allow.,
There they all were; those who had come first to the house, and many others: Jean, Bess Carter, Charley Strong, Max Krieber, Jackson Carter, the little colored boy, standing aloof, and others, large and small. All in a line they stood, and shouted up at him:,
Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.,
As Mrs. Wopp adjusted her bonnet before leaving the house, she gave minute instructions to Mr. Wopp.
The theatre was entirely darkened long enough to arrange the grand piano. The pianist approached the instrument to the plaudits of the crowded house. The insult to his audience in the afternoon had succeeded in spreading his fame and a packed house greeted his evening performance. He turned and gazed intently toward the audience. He caught Nell’s glance, who sat near the front as he had wished, and he smiled an acknowledgment of her presence.
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Mrs. Bennett was setting the table. She put down a pile of plates, and a new anxiety came into her careworn face. “A child? I told Mr. Patton I couldn’t take one.”
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Mr. Wells the clergyman was of English birth, very conservative and inclined to be shy. He was unusually tall with broad shoulders. Mrs. Wopp once said of him, “When Mr. Wells gits his gownd on, he’s the hull lan’scape.” The deeply pious lady seldom criticized things ecclesiastical; but she had “feelin’s that ef Ebenezer Wopp bed of took to larnin’ like his Mar wished, he’d of looked amazin’ well in that pulpit, better nor Mr. Wells.”
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>“Here is Isobel. What kept you so late, young lady?” As Mr. Crump spoke he viewed the young girl with justifiable pride.
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